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Research

»Ê¹Ú²ÊƱ Judith Neilson Chair Professor Paul Gladston and his team are dedicated to the development of innovative critical research in the field of contemporary art and cultural studies.
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Research by the Chair

Paul Gladston's award winning research and critical writing continues to have a significant impact on the international development of critical Chinese contemporary art/cultural studies. Gladston¡¯s publications are included on university undergraduate and graduate course reading lists in Europe, North America and China, and several have been translated into languages other than English. Find out more.

    • ¡®The Thames Arcadia Rhizome¡¯ (Funded by the Judith Neilson Endowment)

    This project critically explores a rhizomic network of intertextual relationships linking English Romanticism during the eighteenth and early nineteenth century in and around the area known as the ¡®Thames Arcadia¡¯ to sites of aestheticized display and experience in other historical and cultural contexts world-wide.??

    • ¡®Rethinking Displays of Chinese Contemporary Art¡¯ (Funded by the Judith Neilson Endowment)

    This project critically addresses questions related to the displaying of Chinese contemporary art in the intensely interconnected and multipolar context of 21st-century ¡®post-West¡¯ contemporaneity.

    • ¡®Chinese Academic Translation Project:?Uneven-Line Lyrics for Entertainment Music in the Sui, Tang, and Five Dynasties¡¯ (ÖлªÑ§ÊõÍâÒëÏîÄ¿¡¶ËåÌÆÎå´úÑàÀÖÔÓÑÔ¸è´ÇÑо¿), National Social Science Fund of China (NSSFC) (Project No.: 22WZWB005). Paul Gladston, Co-investigator.

    • 2023-ongoing ¨C

    • 2022-ongoing - .

    • 2022-ongoing -

    • 2020¨Congoing - .?

    • 2015-ongoing ¨C .

    • 20-22 May 2022 ¨C ¡®Chinese Cultures, Translation and Contemporaneity: Literature ¨C Cinema ¨C Performance - the Visual Arts,¡¯ co-organized with Tsinghua University, Beijing in association with Institute for World Literatures and Cultures (IWLC) International Forum Series ¡®World Maps and World Cultures.¡¯

    • 28/29 April 2021 - ¡®Rethinking the Curation of Chinese Contemporary Art,¡¯ co-organized with the University of Maryland and supported by the Asia Society, Australia.

    • 2022-ongoing - »Ê¹Ú²ÊƱ ADA Contemporary Asia-Pacific Visual Cultures Webinar Series (est. 2022), co-organised by Paul Gladston and Minerva Inwald with Dr. Yu-Chieh Li (Lingnan ¨C former »Ê¹Ú²ÊƱ JN post-doctoral Fellow). Series, organized partly in association with the Department of Visual Studies, The University of Lingnan, Hong Kong.
    • 2012 - Advisor to the internationally acclaimed exhibition ¡®Art of Change: New Directions from China¡¯, Hayward Gallery-South Bank Centre, London UK

    Monographs

    • Paul Gladston and Lynne Howarth-Gladston (2026 ¨C in preparation),?The Thames Arcadia Rhizome.?

    ? ? ? ? ? ? ? ? ? ?Output of the research Project ¡®The Thames Arcadia Rhizome¡¯.

    • Paul Gladston and Lynne Howarth-Gladston (2025 ¨C in preparation),?Dis-/Continuing Traditions: Interventions with Confucian Aesthetics by Contemporary Chinese Artists and Curators, London: Bloomsbury.

    Edited collections

    • Haiping Yan, Laurent Dubreuil and Paul Gladston eds. (2024 ¨C in preparation),?Transculturality and China ¡ª in the World, London and Beijing: Routledge. Transcultural Studies in China Series (Tsinghua University ¨C UK-China Humanities Alliance).

    • Paul Gladston, Lynne Howarth-Gladston, Jason Kuo and Johnson Tsong-zung Chang eds. (2024 ¨C in press),?Rethinking Displays of Chinese Contemporary Art: Cultural Diversity and Tradition, London and Singapore: Palgrave. (Contemporary East Asian Visual Cultures, Societies and Politics series).

    ? ? ? ? ? ? ? ? ? ?Output of the research project ¡®Rethinking Displays of Chinese Contemporary Art¡¯.

    ? ? ? ? ? ? ? ? ? ?Output of the 2021 online conference ¡®Rethinking the Curation of Chinese Contemporary Art,¡¯
    ? ? ? ? ? ? ? ? ? ?co-organized with the University of Maryland and supported by the Asia Society, Australia.

    Book chapters

    • Paul Gladston (2024 ¨C in press), ¡®Somewhere (and Nowhere) between Modernity and Tradition: Toward a Polylogue between Differing International and Indigenous Perspectives on the Significance of Contemporary Chinese Art¡¯, in Carol Lu ed., China as an Issue, London: Palgrave - English and Mandarin Chinese language translation.

    Originally published in English as Paul Gladston (2014), ¡®Somewhere (and Nowhere) between Modernity and Tradition: Towards a Polylogue between Differing International and Indigenous Perspectives on the Significance of Contemporary Chinese Art¡¯, Tate Papers 21 (Spring 2014).

    • Paul Gladston (2024 ¨C in preparation), ¡®Retheorizing Chinese Contemporary Art: Transcultural Defamiliarization and the Traces of Syncretic Confucianism¡¯, in Haiping Yan, Laurent Dubreuil and Paul Gladston eds., Transculturality and China ¡ª in the World, London and Beijing: Routledge. Transcultural Studies in China Series (Tsinghua University ¨C UK-China Humanities Alliance).

    • Paul Gladston and Lynne Howarth-Gladston (2024), ¡®Inside/Outside the Yellow Box: Toward a Poly/Cacophonic Displaying of Chinese Contemporary Art¡¯, in Paul Gladston, Lynne Howarth-Gladston, Jason Kuo and Chang Tzong-zung eds., Rethinking Displays of Chinese Contemporary Art, London and Singapore: Palgrave. Contemporary East Asian Visual Cultures, Societies and Politics series.

    • Paul Gladston (2024 ¨C in press), '¡®Humour/Youmo in Chinese Contemporary Art and Online Visual Culture: Identifying the Intertextual Traces of Confucian-literati Aesthetics¡¯', in Gieskes M; Williams GH (ed.), Humor, Globalization, and Culture-specificity in Contemporary Art, Bloomsbury, London.

    Monographs

    • Paul Gladston (2023),?§·§å§Õ§à§Ø§Ö§ã§ä§Ó§Ö§ß§ß§í§Ö §Ô§â§å§á§á§í "§¡§Ó§Ñ§ß§Ô§Ñ§â§Õ" §Ó §¬§Ú§ä§Ñ§Ö - 1979-1989?[¡®Avant-garde¡¯ Art Groups in China, 1979-1989], Boston MA: Academic Studies Press. [Contemporary Eastern Studies in the Russian Language].

    ? ? ? ? ? ? ? ? ? ? Revised translation of Paul Gladston (2013), ¡®Avant-garde Art Groups in China, 1979-1989,
    ? ? ? ? ? ? ? ? ? ? Bristol: Intellect and Chicago: University of Chicago Press.

    Edited collections

    • Haiping Yan, Haina Jin and Paul Gladston eds. (2023),?.

    ? ? ? ? ? ? ? ? ? ? Output of the 2022 international online forum,?Chinese Cultures, Translation and
    ? ? ? ? ? ? ? ? ? ? Contemporaneity: Literature ¨C Cinema ¨C Performance - the Visual Arts    . Co-organized by Paul
    ? ? ? ? ? ? ? ? ? ? Gladston and Minerva Inwald with Profs. Haiping Yan and Haina Jin, Tsinghua University,
    ? ? ? ? ? ? ? ? ? ? Beijing in association with Institute for World Literatures and Cultures (IWLC) International
    ? ? ? ? ? ? ? ? ? ? Forum Series ¡®World Maps and World Cultures.¡¯

    Book chapters

    • Paul Gladston (2023), 'Dis-/continuing traditions: Chinese contemporary art, polylogic translation and the traces of confucian-literati culture', in Translation Studies and China: Literature, Cinema, and Visual Arts, 217-234.

    • Paul Gladston (2023), ¡®Other Ways of Seeing: Reading Transcultural Aesthetics through Images¡¯, Bloomsbury Philosophy Library ¨C London: Bloomsbury History of Modern Aesthetics.

    Journal articles

    • Paul Gladston and Lynne Howarth-Gladston (2023), .

    Output of the research Project ¡®The Thames Arcadia Rhizome¡¯.

    Book chapters

    • Paul Gladston and Lynne Howarth-Gladston (2022), .

    Output of the research Project ¡®The Thames Arcadia Rhizome¡¯.

    Journal reviews

    • Paul Gladston (2022), .?

    Edited collections

    • Paul Gladston, Beccy Kennedy-Schtyk and Ming Turner eds. (2021),?.

    ? ? ? ? ? ? ? ? ? ? ? Output of the AHRC UK-funded research project, ¡®Visualising Chinese Borders.¡¯

    Book chapters

    • Paul Gladston, Beccy Kennedy-Schtyk and Ming Turner (2021), 'Introduction', in Visual Culture Wars at the Borders of Contemporary China, Springer Singapore, 1 - 23,

    • Paul Gladston and Beccy Kennedy-Schtyk (2021), 'Rendering Frontiers: From China's Historical Dynastic-Imperial to Modern Republican Borders and the Changing Significances of Chinese Art', in Paul Gladston, Beccy Kennedy-Schtyk and (Ming Turner eds., Visual Culture wars at the Borders of Contemporary China: Art, Design, Film, New Media and the Prospects of "Post-West" Contemporaneity, Palgrave Macmillan, London and Singapore.

    • Paul Gladston (2021), 'Foreword', in Jesse Hogan ed., Survival Aesthetics ? Interview Series: On Post-Contemporary Art Practice in Japan, Japan Foundation.

    • Paul Gladston (2021), '¡®#15 Change ¨C Mountain in Full Bloom, Yicong Guo¡¯', in UNESCO Art Collection: Selected Works, Paris: UNESCO, 94 ¨C 97.

    • Paul Gladston (2021), '³¬Ô½±ÉÊÓ£¨µ±´úÐÔ£ºÂÛ¶ÔÓÚ¹ú¼ÊºóÏÖ´úÖ÷ÒåÒÕÊõÀíÂÛºÍÖйúµ±´úÒÕÊõÀíÂ۵Ķ෽¶Ô»° (Beyond Contemp(oranei)t(y): toward a polylogue of international and localized perspectives on the significances of Chinese contemporary art),', in Carol Yinghau Lu ed., China as an Issue: Artistic and Intellectual Practices Since the Second Half of the Twentieth Century vol.4, Beijing: Inside-Out Art Museum, 61 ¨C 85.

    A new Mandarin Chinese translation of Paul Gladston (2016), ¡®Beyond Contemp(oranei)t(y): towards a discursive polylogue of international postmodernist and Chinese contemporary art theory¡¯£¨µ±´úÐÔ£ºÂÛ¶ÔÓÚ¹ú¼ÊºóÏÖ´úÖ÷ÒåÒÕÊõ ÀíÂÛºÍÖйúµ±´úÒÕÊõÀíÂ۵Ķ෽¶Ô»°), in Gao, Minglu ed., Criteria-Method- Context (±ê×¼-·½·¨-ÉÏÏÂÎÄ), Beijing: Central Compilation and Translation Press, 37- 63. Includes essays by Hans Belting and Gao Minglu.

    Journal articles

    • Paul Gladston?(2020),?¡®.

    • Paul Gladston (2020), ¡®Going Over the Edge: COVID-19, contemporary artworlds, the global artistic-industrial complex and NIRIN,¡¯ »å¾±¡¯±¹²¹²Ô: a Journal of Accounts 8, 8-27.

    Monographs

    • Paul Gladston (2019),?.

    Journal articles

    • Paul Gladston (2019), ¡®Beyond the Pale: Critical Reflections on Society, and Politics Within and at the Borders of China,¡¯ »å¾±¡¯±¹²¹²Ô: a Journal of Accounts 7, 90-103.

    Book chapters

    • Paul Gladston and Lynne Howarth-Gladston (2018), '¡®Of N¨¹hua (¡®women¡¯s painting¡¯) and the Absenting of Ink: A Critical Meditation on Works by the Artist Fu Xiaotong¡¯,', in Fan F; Wang C (ed.), New Debates on Ink Art: The Genealogy of Ink Art and Its Conceptual Changes ¨C The Historical Identity Dimensions, Wuhan Art Museum ¨C Hebei Fine Arts Publishing House, Wuhan - Hebei, 432-488.

    • Paul Gladston (2018), '¡®Critical Reflections on Yu Youhan¡¯s Paintings as a Locus of Aesthetic Modernity¡¯', in Yu Youhan: Representational-Abstract, Chongqing: Long Museum.

    • Gladston P,?2016,?Paul Gladston, Deconstructing Contemporary Chinese Art: Selected Critical Writings and Conversations, 2007-2014,?Springer Verlag,?Heidelberg

    • Gladston P,?2014,?Contemporary Chinese Art: A Critical History,?Reaktion Books,?London

    • Gladston P,?2011,?Contemporary Art in Shanghai: Conversations with Seven Chinese Artists,?Blue Kingfisher Limited

    • Gladston P,?2005,?Art History after Deconstruction: Is There Any Future for a Deconstructive Attention to Art History?,?Magnolia

    Book Chapters

    • Gladston P,?2017,?'¡®Critical Reflections on Yu Youhan¡¯s Paintings as a Locus of Aesthetic Modernity¡¯', in?Yu Youhan ¨C PSA Collection Series,?Power Station of Art,?Shanghai

Research by the Fellows

Dr. Minerva Inwald

Journal articles

  • Inwald, M. 2023, 'The Aesthetic Needs of the Masses: Cultural Work in the Aftermath of the Great Leap Forward', Modern China, 49, pp. 290 ¨C 319.?
  • Inwald, M. ¡°The Chinese Communist Party: A Century in Ten Lives: Edited by Timothy Cheek, Klaus M¨¹hlhahn, & Hans van de Ven, Cambridge University Press, 2021, 282 Pp., A$113.95 (Hardback), A$34.95 (Paperback).¡± Asian studies review (2023): 1¨C2. [REVIEW]?

Dr. Yu-Chieh Li

Completed?during the post

Academic
  • Yu-Chieh Li, ¡°Translating Happenings: Frog King Kwok's Abject Play,¡±?Art in Translation, Volume 11, 4 (2020): 417-440.?
  • Yu-Chieh Li,?¡°Two-Dimensional Installation Art: The Case of Xu Bing, Wenda Gu, and Yang Jiechang,¡± in?Xu Bing: Beyond the Book from the Sky, 87-96 (Springer, 2020).
  • Yu-Chieh Li and?Sarah E. Fraser eds,?Xu Bing: Beyond the Book from the Sky?(Springer, 2020).?
Non-academic
  • Yu-Chieh Li and Meiya Cheng eds. ¡°Learning from Peers,¡± Workshop Proceedings of events taken place at Gudskul (Ruangruppa), Jakarta, 2-19 September 2019.

Initiated?during the post

Academic
  • Yu-Chieh Li,?¡°Gender and Performativity in?Xing Danwen¡¯s East Village,¡±?Third Text?170 (May 2021): 389-410.
  • Yu-Chieh Li,?¡°Behind the Shutter: Disappearance and the Postcolonial Body in Early Sinophone Media Art,¡± in?World Art?11, 2(2021): 177-200.??
  • Yu-Chieh Li,?¡°Rethinking/Relinking Colonial Ruptures: On Recent Works by Musquiqui Chihying and Hao Jingban,¡±?Australian and New Zealand Journal of Art?Issue?21.1 (September 2021): 94-114.
  • Yu-Chieh Li,?¡°Survival Tactics within Cold War Ideologies: Post-Mao Artists on the Tides of Globalization,¡± in?Visual?Representations of the Cold War and Postcolonial Struggles: Art in East and Southeast Asia?(Routledge,?2021): 175-195.
  • Yu-Chieh Li and?Midori Yamamura eds,?Visual?Representations of the Cold War and Postcolonial Struggles: Art in East and Southeast Asia?(Routledge, March 2021).
Non-academic
  • Yu-Chieh Li,?¡°This Shore: A Family Story,¡±?Asian Diasporic Visual Cultures and the Americas?6, 3, p. 332-335.
  • (edited)? Affect Machine: Self-healing in the Post-Capitalist Era. Taipei: Taipei Fine Arts Museum, 2021.